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Alejo Vidal-Quadras Fondation
Alejo Vidal-Quadras Fondation

Works – Landscapes and Cities

Alejo Vidal-Quadras defines himself as a realistic expressionist. His landscapes rich with the Spanish pictorial tradition confirm this self-definition, e.g. his painting View of Toledo, imbued with the arid atmosphere of a Castilian late afternoon.

"Vista de Toledo"
“Vista de Toledo”
oil, 1955
"Le Théâtre Hébertot"
“Le Théâtre Hébertot”
oil, 1948
"Vue de New York"
“Vue de New York”
charcoal, 1978

"Roquebrune la nuit"
“Roquebrune la nuit”, ink on paper
"Les invalides et garde Républicaine"
“Les invalides et garde Républicaine”
oil, 1968
"Carroussel - Tuilleries"
“Carroussel, Tuilleries”
oil, 1968

"La cour Carré du Louvre"
“La cour Carré du Louvre”
oil, 1985
“Athens sun setting” mixed technique, 1975
“Athens sun setting”
mixed technique, 1975
“Coucher de soleil à Athènes” blue pen study for the painting
“Coucher de soleil à Athènes”
blue pen study for the painting

"Marée basse à Noirmoutier"
“Marée basse à Noirmoutier”
oil, 1977
Pencil sketch for the “Maré basse à Noirmoutier”
Pencil sketch for “Marée basse à Noirmoutier””
"Le Pont des Arts"
“Le Pont des Arts”, pen and ink, Paris, 1991

"West Palm Beach Railroad Station"
“West Palm Beach Railroad Station”
pen and ink, 1992
Les Travellers Club
“Les Travellers Club Champs Élysées”,
oil, Paris, 1989
"Chez Marquise de Ravennel"
““Marquise de Ravennel’s garden”
pastel, Soissons, France

"Place à Pigalle"
“Square at Pigalle”
blue fountain pen, Paris circa 1948
“Village sur mer”
“Village sur mer”
charcoal, 1966
"Les Invalides"
“Les Invalides”
pen and ink, ,1966

"Place des Victoires"
“Place des Victoires”, engraving, 1960
Mansion
pen and ink sketch, Paris
Les Invalides "Journée Officielle"
Les Invalides “Journée Officielle”
pencil, Paris

"Eglise de Cadaqués II"
“Eglise de Cadaqués II”
blue ballpen, Catalunia
Etude tableau "Vu d'en haut: La Cour Carrée du Louvre"
“Bird’s-eye view: La Cour Carrée du Louvre”
pencil sketch for the painting
"Louvre, piéce centrale façade cotê Rivoli"
“Louvre, central detail”
pencil, Paris

Outdoor pissing in Paris blue pen, Paris cerca 1950
Outdoor pissing in Paris
blue pen, Paris cerca 1950
Outdoor pissing in Paris blue pen, Paris cerca 1950
Outdoor pissing in Paris
blue pen, Paris cerca 1950
pencil study for the “Bateaux au Port”
pencil study for the “Bateaux au Port”

Bus 67
Bus 67
blue pen drawing
Palmiers au vent, Palm Beach
“Palmiers au vent”
pen and ink drawing, Palm Beach
Etude tableau "Passage sous l'arche 34"
“Passage sous l’arche 34″
pencil study for the painting

Copyright © 2003 - 2020 • Alejo Vidal-Quadras Fondation • Development: Fernando Ramos | Cláudia Marapodi - Design com Conteúdo
Copyright © 2003 - 2020 • Alejo Vidal-Quadras Fondation • Development:
Fernando Ramos | Cláudia Marapodi - Design com Conteúdo